JAIN’S MURALS
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Jain 1983
“Fox”
3m x 3m my first oil paints on fibro wall.
Half Human, Half-Dolphin, (later known as “Dolphusion” when repainted on canvas, fusion of woman and dolphin consciousness.
“F” = the 6th Letter of the English Alphabet, “O” = the 15th and “X” = the 24th, together it symbolizes “666” the sacred solor symbol, sun-wheel, has nothing to do with “evil”. 666 was demonized to steer attention away from its sanctity!
Painted on the wall at “Arthaven” community. Has multi-curtural emblems like the Egyptian ankh, Mayan design, winged, water, lightning bolts etc symbols of fire, earth, air, water and spirit.
Painted on the wall at “Arthaven” community. Has multi-curtural emblems like the Egyptian ankh, Mayan design, winged, water, lightning bolts etc symbols of fire, earth, air, water and spirit.
The mural next to this was called “Grace Jones” and is the spot where I left my body, a thug tried to assassinate me, orders given by Balmain Real Estate in Sydeny, a land-grab aof 20 million dollar to build a casino in the blue mountains area, Blackheath, but went all wrong, as I lived a knife would to the chest, to tell the story and they got convicted. After this, to heal, I lived as hermit for 4 years in Kippaxes to write and dream and rebuild my life.
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Jain 1984
“Magic Square of 4×4 Jupiter”
3m x 3m oil paints on fibro wall.
This public mural was incomplete, in the hall of the Arthaven community in Blackheath, I was just about to paint the golden circle of protection around the magic square, 3 days prior to the super-aquarian festival that I was organizing to attract 100 people to visit our art community, when I was stabbed in the heart chakra… It was like unseen forces were blocking me from releasing these ancient mathematical codes.
Jain 1984
“Grace Jones”
3m x 3m oil paints on fibro wall.
This was copied from Grace Jones’ music album, using a episcope, like an old-fashioned projector, which went out of focus as I was tracing her form, which created 5 images superimposed and out-of-sync…
Exactly above my head, though not seen clearly here, was a collage of Chaitanya (incarnation of Krishna about 500 years ago, the dancing renunciate) with a collaged giant knife piercing his heart. Little did I know, 6 months later, this was the exact spot where I was stabbed in the chest by Bogga John, an ex-vietnam thug hired by Balmain Real Estate in Sydney to get rid of me so they could turn “Arthaven” community into a casino… Since I lived on wheatgrass and shivambu, keeping me super healthy, I survived to tell the story…
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Jain 1984
“Child In The Heart of Its Mother” aka “Teach Love”
2m x 500mm airbrushed fabric-paint on masonite.
Originally painted on a house wall, in Upper Dingo Creek, Kippaxs, below Elands, mid-coast NSW, then cut out and modified. There is a third entity that appeared above the mother, like a grandfather figure, shown here on right hand side “Teach Love”. I merely highlighted the image that was revealed.
This painting is Generational Trinity, capturing essence of the Grandparent – Parent – Child paradigm. The quote “Teach Love For That Is What You Are” has been borrowed from a book that I read.
Jain 1984
“Bird Man” 1m x 1.5m mixed media on masonite: Spraycan paint, collage, peacock feathers etc
Originally an invocation or a manifestation for the distribution of my books on sacred geometry, this painting depicts the fusion of the human with the aerial or bird-like creations, the bird being symbolic of the soul. This bird man has a prayer (written in the gold circle) representing that our ultimate spiritual pursuit is to follow your passion and or your creativity.
The writing in the circle says: “I Now Manifest the world-wide and galaxy-wide distribution of ‘The Book Of Harmony Squares’ vol 1 thru Jain (& succeeding volumes). I Now call forth into my Life Magic Square Agents & Sponsors who will facilitate these books of Magic Square Art to be Published in All Languages of this World. May all Children blossom with this Knowledge. 1992”
This painting was done in 1984 but the above text or affirmation was added in 1992 in Byron Bay.
The collage on the lower left is taken from an early moon calendar I think by Thomas of Tallebudgera Valley, Gold Coast, Queensland.
Jain 1984
“The Magic Square of 3 God”
1m x 2m cloth bedsheet banner.
The writing in the background of this banner says:
“Majik Square Mandaloid Consciousness” showing that this Being has incarnated onto this dimension to reveal the advanced knowledge hidden in the art of Magic Squares.
“Majik Square Mandaloid Consciousness” showing that this Being has incarnated onto this dimension to reveal the advanced knowledge hidden in the art of Magic Squares.
This banner was original sketched on cloth, in pencil, and slightly painted as a lesson for 5 to 7 year old students at Elands, mid-coast NSW, inland of Taree, where I lived in a remote Kippaxs Valley (Upper Dingo Creek for 4 years). It was the first place where I publicly taught the concept of Art of Number, translating number into sacred symbol. The star-like pattern in the white circle is the Sino-Tibetan Magic Square of 3×3 or Lo-Shu @ 4 x 45 degrees, subsequently becoming my Logo which I still use today.
Jain 1984
“Space Craft God”
acrylic and spray-gunned fabric paint on board “1.3m x 1m
A space person sits inside a spherical craft navigating their way through the cosmos. It has a bird-like beak; its arms are outstretched upon a control panel. The 2 swaztikas are rotating in opposite directions implying that the forces at work that propel this craft are harmoniously balanced or complementary.
The original painting, shown above, has a Magic Square of 7×7 (venusian) yantra drawn below the bubble craft suggesting a high level of esoteric knowledge underpins the success of this journey through space.
Both eyes are framed by a rectangular type of goggles, indicating that the Journey is still in progress and that this cosmonaut has not yet landed or settled, but appears to be in control. It is a friendly god from another world in a bubble-craft perhaps preparing to enter our sphere.
Jain 1984
“Magic Square of 6×6 Swaztika Banner”
3m x 3m bedsheet cloth banner painted with fabric paint, fluorescent fabric paint, metal powders, sequence and thread sewing…
Jain 1984
“Jesus in a Datura Flower”
2m x 3m bedsheet cloth banner painted with fabric paint, fluorescent fabric paint, metal powders, sequence and thread sewing…
Jain 1984
“StarWoman”
1m x 2m oil paint on masonite wall.
Jain 1984
“Woman In Prayer”
1m x 2m oil paint on masonite wall.
Jain 1986-87
“Alien (on cloth mural)” 1m x 1.5
Jain 1985
“Coming of the Violet Race”
1m x 2m oil paint on thick-wooden wall.
Jain 1990
“Magic Square of 7×7 Mosaic 800mm x800mm”
1m x 1m
The Following 10 BANNERS Are Known As:
MAGIC SQUARE CLOTH MURALS, by Jain, from the period 1984 to 1988
Jain 1984
“Magic Square of 3×3 Logo”
cotton 1m x 1m
Jain 1988 (left)
“Magic Square of 3×3 Logo, TableCloth size” cotton 1mx1m
Jain 1987 (right)
“Magic Square of 3×3 Logo” cotton 1mx2m
This cloth mural shows the pattern of the Magic Square of 3×3, rotated upon itself at 4 times 45 degrees (my Logo) but depicted as an Ovum (gold circle) being penetrated by a single sperm that breaks the wall or boundary, thus forming the process of fertilization. All around the gold circle are dozens of sperms fighting to get in. This was painted as an invocation for the coming conception of my daughter Mingkah Jain Sun, ne 1988. Shown below right is her mother, Reenah Sun talking to friends at an outdoor festival we attended.
Jain 1984
“Magic Square of 4×4 Mermen” + “The Coming Of The Super-Aquarians”
2mx3m bedsheet cloth banner painted with fabric paint, fluorescent fabric paint, metal powders, sequence and thread sewing…
The two mermen are seen with an Aboriginal Snake Dreaming entity Oroboros (Snake Swallowing Its Own Tail) all surrounding an astrology chart that depicts a rare astrological event that happen on the 4th and 5th February 1962 when 7 planets aligned in the sign of Aquarius, within a rare 30 degree orb. 6 planets were in Aquarius then were joined by the moon for two days, making it a 7 planet conjunction or stellium. This event was predicted by a world famous medium or psychic by the name of Jeanne Dixon who surmised that this could be the time for the second coming of Christ. A movie was made about this date called “The Fury” but it made out the 2 Super-Aquarian male and female characters as malevolent teenage psychics abusing their powers. Though, top scientists around the world were positioned in Papua and New Guinea to film this rare eclipse of the sun as it was considered the best and safest time to capture rare footage of the face of the sun.
I have authored an unpublished book on this topic of the Coming of the Super-Aquarians based on real events with meeting such teenage Super-Aquarians and their remarkable powers. I spent 6 months in 1983 advertising an event for the meeting of these teenage superstars at Arthaven, in the Blackheath NSW west of Sydney, but 3 days before the actual event where 100 people did arrive, I was taken out by a paid thug to stop this festival, subsequently I was stabbed in the heart region, lived to tell this story, and hermited near Elands, inland of Taree for 4 years where I rebuilt my life, and painted these cloth banners. I will publish these stories soon, for my 2 daughters to read, as they don’t know the bizarre events that have befallen me in my past, that describe why I chosen to devote my life to our responsibility to self-heal, to meditate, to give gratitude for every day, to amaroli (shivambu), and to the restoration of ancient mathematical codes leading towards the fibonaccization of the world’s maths curriculum being an introduction towards a Sacred Geometry University.
Aysha Jain Sun and her Magic Square of 4×4 Birth Banner below
which has been converted to a poncho-robe used in ceremonies:
Jain 1984 and 1989
“Magic Square of 4×4 at 0 + 90 degrees – Mermen” 2mx3m bedsheet
+ “Aysha Sun’s Birth Banner” 1m x 1m cotton.
The mermen banner is shown again (at the bottom half of the photo), at a Exhibition in Byron Bay in 1993 at the place known as The Epicentre, no longer there, but was the original site where this warehouse stored and slaughtered the whales that went by. People came to Byron Bay to transform this energy of death to life and light. This Magic Square of 4×4 has been drawn twice, superimposed upon itself at 90 degrees.
The banner at the top half of this photo is the same Magics Square of 4×4 but superimposed upon itself 4 times at angles of 45 degrees. It was present at the home birth of my second daughter born in 1990, Aysha Jain Sun, strung directly overhead of her birth pool.
Jain 1985
“Magic Square of 5×5 Inside Pentacle”
2mx3m bedsheet cloth banner painted with fabric paint, fluorescent fabric paint, metal powders, sequence and thread sewing…
(Photo taken in 1993 at my Exhibition in Byron Bay in 1993 at the place known as The Epicentre, a warehouse that thrived with creative geniuses and eco-warriors).
This painting highlights the importance of the 5 Pointed Star (due to its Phi Proportions). The Phi Proportion is secretly expressed by the Mystical Squaring of the Circle depicted by the interception of the Yellow Circle with the corners of the White Square.
At the top right of this banner are 2 dolphin midwives that are carrying a newborn baby, predicting the birth of my child Mingkah Jain Sun in 1988 who was born at Bundjalung Beach (2 hours south of Byron bay) on the seashore in the presence of awaiting dolphins. (The actual birth was meant to be in the ocean, with an awaiting film crew, but Mingkah was born at dawn, in summer when the ocean was calm and warm and just missed out on being born with the dancing dolphins nearby).
Jain 1985
“Magic Square of 6×6 Halley’s Comet Banner”
3mx3m Cloth (Bedsheet)
Jain 1986
“Magic Square of 6×6 Swaztika Banner”
3mx3m Cloth (Bedsheet)
Jain 1984
“Magic Square of 7×7” 2mx3m Cloth (Bedsheet)
“Magic Square of 7×7” 2mx3m Cloth (Bedsheet)
This mural sold for $3000 at a 1993 Exhibition of my work in Byron Bay.
Jain 1986
“Magic Square of 8×8 Benjamin Franklin “
3mx3m Cloth (Bedsheet)
Jain 1984
“Magic Square of 9×9”
3mx3m Cloth (Bedsheet) painted by Evelyn Krosby (magic square design from Jain’s manuscripts).
Jain 1984
“Magic Square of 11×11” 3mx3m Cloth (Bedsheet) painted by Evelyn Krosby (magic square design from Jain’s manuscripts).
Jain 1986
“The Benjamin Franklin Magic Square of 16×16”
2mx3m Cloth (Bedsheet) fluorescent fabric paint
Preparing Mingkah Jain Sun’s birth banner in 1988. Mingkah was born at Bundalung beach, upon the seashore in a tent, and this mural in her honour was present.
I used specially made flower essences and home made crystal essences to mix into the fabric paints. eg: if I wanted to potentize the violet colour, I would make and add the essence of amythest crystal etc. That is why the circular spectrum radiates with light and brightness as it is imbued with high frequency colours.
This Magic Square design has only been outlined in pencil, it has not yet been painted. I have only deliberately focussed on the background to highlight the feature of this magic square pattern, whose numbers were penned by Benjamin Franklin. In his memories, Franklin states that he wrote these numbers down as quick as he could put pen to paper. Shown below, the Magic Square of 16×16 has sums of columns and rows adding up to 2056. The amazing thing is that no mathematician today can show how these numbers were put together so perfectly to all add up to this anointed frequency. Franklin as has an 8×8 Magic Square and I have painted this as a mural as well. His number patterns are my favourite magic squares. Remember that he was head of the Masonic Order in the USA, was a signatory to the Declaration of Independence in 1776, and was father of many inventions, like the first public library, the first gas street lamps, the famous kite-experiment that lead to the invention of the AC switch that we use everyday, suggesting that he had access to ancient knowledge.
Jain 1993
“Incarnation of a Hiroshima Woman”
oil on canvas 1m x1m
This is my first oil on canvas, painted in Byron Bay.
All the dots in the background represents a sudden atomic or nuclear explosion that could happen to any person where the force is so fast and severe it could dissolve you. The question that arises is: “What would happen to a human soul, if the physical body was suddenly annihilated in a split second?” Here, I am using my understanding of sacred geometry to answer this question. Imagine a farmer woman, say in Hiroshima, Japan, she is working in the rice fields, and suddenly, without her sensing any danger, she is annihilated, her physical body is atomic fragments, she is lost in space, in a bardo of unconsciousness, for who knows how long! That is why she has purple or violet skin, representing the sudden flash burning. The disk upon her heart is a rare Magic Square of 8×8 whose Magic Square Constant or Magic Sum of column rows and diagonals is 260, but it is based on L-Shaped moves as in a game of chess and is called Knight Moves where every set of 8 knight moves also sums to 260. This configuration of numbers is so mathematically perfect and in the category of genius, that I decided to connect the numbers from 1 to 2 to 3 etc to the last number giving me this specific pattern. This perfected harmonic yantra or power diagram shown on her disk is what helps her to navigate through the bardo to assist her memory in identifying who she was and where she is going. This Magic Square Disk therefore is like a captain’s sailing wheel directing her consciousness to reform and collect all the pieces of its former self to incarnate safely again on planet Earth. That is is why it is called “Incarnation of a Hiroshima Woman” because she has succeeded in rebirthing herself. This is a sense makes her an anointed soul, and this enlightenment is symbolized by the Golden Maltese Cross seen in the circle around her head, a symbol often seen around saints and Jesus.
Interestingly, this image is so similar to the characters used in the modern classic of “Avatar”, purple skinned beings with pointed ears and long sinuous fingers!
Also, this image of nuclear blasts and destruction in Japan is prophetic of the recent Fukushima atomic disaster and radiation spill.
Jain 1993
“Psyche”
Oil on Canvas 1m x 1m
There is seated, in the 3rd Eye of this alien-like being, a woman!
The writing on the neck and chest says:
“I am not of this world for it is not sufficient to explain me. I do not come from Earth and am going Elsewhere. Where? This is the Mystery of Psyche”.
Psyche, as I understand, is the Greek Goddess of the Mind, and suspect that is not just her dilemma, it is also yours and mine. Where Are We Going: With a Question Mark??????
(Thanks to my lover Sybilla at the time who shared her oil paints with me, taught me some art tricks and gave me this canvas with the background of rich colours already available for me to paint over and use in part, thus allowing this image to emerge).
Jain 1993
“Woman in Sunlight”
Oil on Canvas 1m x 1m
Originally, this painting was called “Stressed Out Single Mother Sitting Outdoors in the Sunshine” as a memory of all female friends who were single mothers and at their wits end with motherhood, and seeking that moment when they can just sit alone and have time for a relaxing cup of tea or coffee on their balcony, allowing the sunshine to soften their anxieties. I saw the face of such a young woman once and attempted to capture that blissful moment.
(Thanks to my lover Sybilla at the time who shared her oil paints with me, taught me some painting skills and gave me this canvas with the background of rich colours already available for me to paint over and use in part).
Jain 1993
“Man Woman Staring”
1m x 1m Oil on Canvas
Thanks again to Sybilla who gave me the already painted canvas of rich colours upon which I painted over sections leaving some patches of rich colours to form this artwork. This shows a deep intensity of love and connection between two people regardless of their gender, race, colour or size. The two faces are of different sizes but it does not necessarily mean that the smaller face is feminine. It is just 2 beings seeing eye to eye. That is why the 3 eyes are in a horizontal plane, representing their spiritual attunement, at-one-ment or alignment to one another. I particular like this painting as it captures the rare love.
There is another painting similar to this, shown later, and it is the opposite, it is called “Lovers In Conflict” and shows 2 similar people looking away from each other, or looking in opposite directions. I will add it here to show the contrast, but chronologically it is dated 2008.
Jain 2008
“Lovers In Conflict”
600mm x 1.5m Oil on Canvas,
600mm x 1.5m Oil on Canvas,
This painting shows 2 people in a loving relationship looking away from each other, or looking in opposite directions. It is the opposite to the painting known as “Man & Woman Staring Into Each Other” where the connection is deep and lasting.
(This spontaneous painting depicts the moment when my lover Gaby sorrily punched me in the mouth, which hurt, this is why the mouth of the person at the bottom of the painting is red to show the blood and the bruising, and to deal with the sudden shock of what had happened, as she had a newborn child and was under a lot of stress, I painted this to show the pain and separation which we both could not understand whilst we were going through the process of sleepless nights and lack of connection).
Jain 1999
“Hathor”
1.2m x 1.2moil on canvas
painted for Leigh Shorthouse who was pregnant with my child. It represented the spirit of the unborn child (Isharni Jainasun ne 27-2-2000). This painting was copied from another painting, artist unknown. I added in the Magic Square of 3×3 mandala and the Light issuing forth coming out of the hands.
A circular mirror-like glass has been glued to the area above the horns. It is actually a magnifying glass, so when someone looks into it, they see their face magnified.
Real crystals have been used to glue onto the head and decorative hair.
Jain 1987
“Winged Snakes
Mural on Van “Joyvan’ “
pre Mingkah Sun’s birth at Bundjalung beach
Jain 1987
“Fetus, Joyvan”
Jain 2010
“Tantric Couple LilyJain”
150mm x 150mm acrylic on canvas
Jain 1999
“Star of David Brick Affirmations 1999”
acrylic on plyboard 1.3m x 1.3m
This is an example of my annual affirmations that I hand-write on large cardboard. I set my goals year by year, brick by brick, creating my world.
The plyboard used was something that I had used on a building site. I built a large double-storey house in 1998 in Possum Creek near Byron Bay and inserted a feature wall 1.5m x 1.5m square in the middle of a long wall that needed some beauty injected into it. I made this pencil outline of the bricks and the star of david to be able to cut each brick precisely to fit into the pattern. I had to use a $2000 diamond-tipped drop-saw specific for cutting bricks. The finished brickwork was beautiful done, thus the actual wood piece was discarded.I inserted a crystal in the middle of the star, so when the sun shone on the wall it spread rainbows over the balcony.
I kept this woodpiece template with the pencilled pattern and decided that year to write my affirmations upon each brick.
I even predicted that I would have a son, I wrote on one of the bricks the fanciful title: “Millennium Baby” and a child to me was born on the dawn of the 2nd of January, 2000.
Other brick titles included: Drink and Bathe in Pure Waters, Oracle of Delphi, Liquidarian, International Best-Sellers, Join The Dots, Zen, Angelic Co-Creation, Perpetual Funds etc
Jain 1985
“Divine Being”
watercolour on cardboard
The headdress of this Divine Being is formed from a real very large pumpkin leaf that I grew on my property at Kippaxs inside of a circle garden.
It was the leaf that inspired the face and the whole sketch. High frequency colours just appeared.
Jain 1990
“Rainbow Guitarist Musop”
150mm x 150mm acrylic on canvas
painted for Aysha Jain Sun’s Birth 27-12-1990
Jain 1984
“Alien Bearing Galactic Knowledge”
acrylic on thick-wooden wall.
This painting represents galactic knowledge coming through in the form of a mandala book known as “The Book Of Magic Squares” volume 2 which is part of a future curriculum for Starkidz and Mathemagics For Juniors and Teenagers.
Some of the unusual textured background patterns around the head were created by rats. I had glued areas around the head with copious sprinkles of seeds like wheat, barley, rice, lentils etc, to create a visual pattern, but when I had left this painting in storage under my house, for a few years, and retrieved it, the rats had eaten all the seeds and what remained was the pvc glue indented by the missing seeds.
This mural, like many others was painted directly on a wall in Kippaxs near Elands, so it was a task to cut out the thick planks of wood that it was painted on.
