LATEST DESIGNS 2013 on the stunning 3 Phi Codes.
1 – General Flyer Information
2 – MAGIC SQUARES AND FIBONACCI NUMBERS
3 – FIBONACCI SEQUENCE IN THE VEDAS!
4 – PROOF from a SWAMI that the GAYATRI MANTRA is BASED on a RHYTHM or METER of 24!
5 – Images depicting the Universal Phi Cycle of 24
6 – Jain’s Discovery of the Repeating 24 Pattern, recorded at www.goldennumber.net
7 – The Second and Unrevealed “108 CODE” by Jain of Mullumbimby, OZ.
8 – Dolphusion Mural Golden Mean
LATEST DESIGNS on the 3 PHI CODES

POWER DISK 1
(PHI CODE 1 BY JAIN 108
WITH ITS APPROPRIATE 9 POINT CIRCLE PATTERN IN THE CENTRE)

POWER DISK 2
(PHI CODE 2 BY JAIN 108
WITH ITS APPROPRIATE 9 POINT CIRCLE PATTERN IN THE CENTRE)
note: TO VIEW THE POWER DISK 3 (PHI CODE 3 BY JAIN 108
WITH ITS APPROPRIATE 9 POINT CIRCLE PATTERN IN THE CENTRE)
YOU CAN PURCHASE IT FROM THE BOOK: “THE BOOK OF PHI”, Volume 7, sub-titled: UNI-PHI, available in July 2013

The 3 Phi Codes that Generate the 72 Phi Codes summing to 108+9 arranged in 3 concentric circles, showing that the only real symmetry is the 1st and 13th columns: 111 and 888 respectively.
Cracking the 111 & 888 Codes.
Here is the Chart of the 72 Fibonaccoid (Fibonacci-like) Triplets, showing the 81 possible Starting Pairs, but 9 of these Pairs do not sum to 108, they are part of the 3-6-9 family that Tesla spoke highly of. I call them ANTI-PHI CODES but they are the key to the completion of the higher circuitry combinations. These 72 Triplets (or Starting Paris) I believe are the source for the 72 Names of God in Hebraic tradition. This is very rare and secret ancient knowledge. Use them carefully.

1 –
General Flyer Information:
The Divine Proportion
Lost Secrets of the PHI Code
Golden Mean Ratio
Explore ancient hidden mysteries… learn why the shape of the Pine Cone is optically similar to the Human Heart, why we are awe-struck when we view Sacred Architecture like the Parthenon of Greece and the Pyramids of Gizeh… and why we are attracted to the proportions of the famous Mona Lisa.
Essentially, the human body is in resonance with the Living Mathematics of Nature.
You will find out about secret codes concealed in the GAYATRI MANTRA, the most famous Eastern prayer for Enlightenment. Embrace part of the ascension process already morphologically and geometrically encoded into our bio-magnetic and bio-electrical fields.
Jain will help you discover Sacred Geometry; Math as Art, Math as Science and Math as History. He will help you to explore Sacred Geometries that are invisibly constructed and nested within the Heart, connecting us to all Memory of all Universes.
Lost Secrets of The PHI Code includes a lesson in x-raying the Fibonacci Sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144 etc to discover where the infinite phi expression has its underlying rhythm, a distinct periodicity of 24 recurring digits that can not be seen by the Western Mathematical Eye but only by the Truth of Vortex Mathematics expressed as Vedic Mathematics! Note: Really this Knowledge predates the Vedas and Atlantis and is better referred to as Galactic Mathematics.
This material shakes the whole foundations of the current Western mathematics curriculum, will rewrite our current world view on Mathematics and will require a new definition of the Golden Mean: that its decimal does carry on infinitely but within its infinity there is recursive or self-similar beauty. Scientists like Marco Rodin wind toroidal coils in sync with this recursion or rhythm or pulse or pattern of 24 digits to get more output than their input!
The sum of these 24 digits is 108 (108 degrees being the external angles of the pentagram and the number of beads in a rosary) which is sonically disguised as the GAYATRI MANTRA , the most famous Eastern prayer for Enlightenment.
A fascinating day that will help you to remember this Lost Knowledge of the PHI CODE that is already morphologically and geometrically encoded in your bio-magnetic and bio-electrical fields.
“Sunday was so exciting, the revelation you receive for the recursive Phi pattern is at once so staggeringÂ… yet excitingly familiar, my physical perception actually shifted . The potential of your rediscovery leaves me breathless. Thank you for bringing the joy of this pure science into our lives”. Ingrid Burke, Sunshine Coast , Australia.
Ultimately, this Pythagorean Knowledge is not an intellectual process, but rather that these essential geometries are invisibly constructed and nested within the Heart as the Centre of a greater Galactic Grid connecting us to all Memory of all Universes and Atomic Level.
Workshops
The Divine Proportion
LOST SECRETS OF THE PHI CODE
1 or 2-day workshops $150 per day
Embrace part of the ascension process already morphologically and geometrically encoded into our bio-magnetic and bio-electrical fields.
Can you help? We are looking for promoters who could help expand Jain’s tour in Australia and other countries… get groups together, organize venues etc. Any contacts or advice you could give would be appreciated.
2 –
MAGIC SQUARES AND FIBONACCI NUMBERS
QUESTION:
From: trance@infological.com
Reply-To: <trance@infological.com>
Date: Mon, 29 Sep 2003
To: <jain@jainmathemagics.com>
Subject: Magic Squares or Cubes made up numbers inthe Fibonnaci Sequence
Hi Jain
I believe you are the master of magic squares and cube!
I have sort of been on the holy grail seeking a magic square 3, 4 or
higher, even a magic cube if possible that is made up from numbers only from
the Fibonacci series/sequence .
i.e. 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144 etc and so on
It doesn’t have to be sequential so as long as the numbers are from the
series.
Do you know of any or have you come across any such thing.
Most appreciated
(10-3-05)
ANSWER: MAGIC SQUARES AND FIBONACCI NUMBERS:
Yes, I have some new information about Magic Squares made up from the Fibonacci Numbers:
It comes from a beautiful book that you must surely have:
“The Divine Proportion”, subtitled:
A Study in Mathematical Beauty by H. E Huntley
(Dover Publication, 1970, New York, isbn: 486-22254-3)
On page 124 to 126.
Its actually a Multiplication Square using Fibonacci Numbers, but still very very interesting.
Firstly, you know of Multiplication Squares, the simplest one being the Magic Square of 3×3 where the numbers are replaced by the powers of 2:
128 1 32
4 16 64
8 256 2
The Magic Sum, as you know is 4,096 and each cell contains a power of 2 from 2 to the zero = 1, to 2 to the eighth power = 256, the indices being the numbers found in the numbers:
8 1 6
3 5 7
4 9 2
Now, a sort of Magic Square can be formed with any consecutive members of the Fibonacci series. An example will make this clear.
Take any 9 consecutive numbers from the following series:
v1 v2 v3 v4 v5 v6 v7 v8 v9
0 1 1 2 3 5 8 13 21 34 55 89 144 233 377…
Now form a Magic Square in which the subscripts of “v” add up to 15:
v8 v1 v6
v3 v5 v7
v4 v9 v2
Substitute for these the following Fibonacci numbers:
89 3 34
8 21 55
13 144 5
The sum of the products of the three rows is 9078 + 9240 + 9369
which = 27,678.
The sum of the products of the three columns is 9256 + 9072 + 9350
which = 27,678
Hope this is of use to you. Its not a true Magic Square, but is quite elegant and has its own Consciousness, it is a new entity and perhaps you can give it life.
Regards JAIN
December 08, 2003
Let me know your response to this.
Perhaps it will inspire you to find a true Fibonacci Magic Square or Cube…
3 –
FIBONACCI SEQUENCE IN THE VEDAS!
In Europe, Fibonacci’s Liber Abaci in 1202 described these numbers; the book was meant to introduce the Indian number system and its mathematics which he had learnt in North Africa from Arab teachers.
While a young man growing up there, Fibonacci speaks of his education in North Africa thus: (“):
My father, who had been appointed by his country as public notary in the customs at Bugia acting for the Pisan merchants going there, summoned me to him while I was still a child, and having an eye to usefulness and future convenience, desired me to stay there and receive instruction in the school of accounting. There, when I had been introduced to the art of the Indians’ nine symbols through remarkable teaching, knowledge of the art very soon pleased me above all else and I came to understand it.
It has been suggested that the name Gopala-Hemachandra numbers be used for
the general sequence: a, b, a+b, a+2b, 2a+3b, 3a+5b, … for any pair a, b, which for the case a=1, b=1 represents the Fibonacci numbers. This would then include the Lucas series for which a=2 and b=1.
It would also include other series such as the one for which a=1 and b=21, which generates
the numbers: 1, 21, 22, 43, 65, 108, (…);. Narayana Pandita (’);s Ganita Kaumudi (1356) studies additive sequences where each term is the sum of the last q terms. He poses the problem thus: (“);
A cow gives birth to a calf every year. The calves become young and they begin giving birth to calves when they are three years old. Tell me, O learned man, the number of progeny produced during twenty years by one cow. (”); (See Singh, 1936; and Singh, 1985 for details).
Taken from:
Archive of Physics: physics/0411195, 2004 The Golden Mean and the Physics of Aesthetics Subhash Kak Louisiana State University, Baton Rouge Abstract The golden mean, Φ, has been applied in diverse situations in art, architecture and music, and although some have claimed that it represents a basic aesthetic proportion, others have argued that it is only one of a large number of such ratios. We review its early history, especially its relationship to the Mount Meru of Pingala. We examine the successive divisions of 3, 7, and 22 notes of Indian music and suggest derivation from variants of the Mount Meru. We also speculate on the neurophysiological basis behind the sense that the golden mean is a pleasant proportion. Dedicated to the memory of José Maceda (1917-2004) Introduction Two and a half years ago, in 2002, the celebrated Philippine composer José Maceda organized a Symposium on “A Search in Asia for a New Theory of Music” in Manila. His objective was to explore Asian mathematical sources that may be helpful in providing a direction to world music everywhere. The papers at the Symposium have since appeared as a book (Buenconsejo, 2003). At this meeting, Maceda had many conversations with me regarding what he called the “aesthetics of Asian court musics which seek permanence with little change.” I told Maceda that I considered the dhvani-approach to aesthetics particularly insightful, since it made the audience central to the process of illuminating the essential sentiment behind the artistic creation (e.g. Ingalls et al, 1990). According to this view the permanence being sought is the “universal” that can only be approached and never quite reached by the diverse paths that represent different cultural experiences. Maceda appreciated the fact that physiological geometry plays in perception and aesthetics, but he was > emphatic that there was a cultural component to it and that there could be no unique canon of beauty in art. I take this thought as the starting point of my discussion of the golden proportion (Φ = 1.618..), defined by Φ = 1/(Φ – 1), which some theorists have claimed is fundamental to aesthetics. The conception of it as a pleasing shape arose in the late 1800s and > there are no written texts that support such usage in the ancient world.
4-
PROOF from a “mysterious” SWAMI
That the GAYATRI MANTRA is BASED on a RHYTHM or METER of 24!
I had lunch with a Swami, Dec 05 (name undisclosed). We discoursed on the Gayatri Mantra and he confirmed that it has a rhythm or meter of 24! Which confirmed my Intuitive understanding that the Gayatri Mantra does therefore relate directly to the Mathematics of Nature since the compressed Fibonacci Sequence has an infinite recurring rhythm of 24 digits, and that these 24 digits have a distinct sum or numerological vibration of 108. And that these 24 compressed digits having a sum of 108 is an infinitely recurring sequence, proving that there is a pattern in the Golden Mean, a revolution in mathematics as all the top scholars and history books deny it. I had self-realised the compression or patterned reduction of the Fibonacci Sequence being a 24 Code since 1984, and needed to know that other rishis or seers had recorded this in their Vedic Scriptures, but it was not in print anywhere to be found. When I had met this swami scholar and got the validation it was an important moment as I knew I was not alone, that I was not dreaming about this ancient symmetry. It gave importance to all these questions I had been asking for several decades: Why is the world deliberating misinformed about Sacred Geometry and Number Theory. What is its true Power that ‘Those Families Who Secretly Rule The World’ dont want us serfs to know about, in fear that it may awaken our Consciousness, when we recognise that yes, there is Mathematical Order amidst the Chaos.
“This confirmation for Jain is quite significant as it is the first time that someone has actually explained why 108 is important. People for thousands of years have blindly believed it is significant, but knowing really knowing why. This particular discovery by Jain has humbly put him on the world stage, as people who do his seminars are fully convinced that this is high level and galactic mathematics, despite the natural debunking process that inevitable goes on, Jain is convinced that this ability to teach mathematics via Pattern Recognition will set a new trend in the planet’s future mathematical curriculum. It is interesting that when I first met Jain at his home in 1984, he received a letter from an Indian friend, and it was addressed to “SHRI JAIN 108” which made us giggle, as we both knew the high and secret value of this number”.
(Quote from Epsilon,a student).
People are asking me who this Swami is. It is irrelevant who this Swami is, and in the end, the true Swami is Mathematics, as Mathematics can not Lie. This discourse on the Gayatri mantra resonating to 24 is an ancient truth.
24 is the Time Code. Why did our forbears select 24 hours to the Day, why not say 27 hours to the day. (Bruce Cathie, Grid scientist and pioneer, does use 27 hours to the day to verify that no atomic bombing can happen unless the harmonics are in accordance with the day and grid resonating to 27 divisions, which is interesting, as Pythagoras adored this Harmonic Vibration of 27).
24 arithmetic numbers in concentric rings that reveal the 4th Dimensional Cross of the Prime Numbers, that 24 Cracks the Code, via the powerful tool of Symmetry.
(What this means is that the Prime Numbers that you know of, do exist in symmetry, but you have been told mathematical distortions, for thousands of years, that it is a nonsense sequence with no pattern. Why? Because it is a StarGate. 24 is a Time Code. We wear it on our watches and have no real understanding of what is looking us daily in the face.
5 –
Images depicting the Universal Phi Cycle of 24

This beggar temple boy, sitting on the steps of a Jain Temple in Kolkata, has 24 Digits! (6 digits her hand and foot). I love this photo as it makes me wonder about our human DNA pool and its possible relationship with the Mystery of 24.

24 Jain Thirthankaras or Gods, of which Mahavira (lit. Great Victory)
was the last of this succession of Elders.
The 2 photos below depict the 10th Elder (I think) of this lineage of 24 Jain Elders.

In this Jain temple in Kolkata, the Brahmin showed me around, and took me to a lantern above my head, which was just a bowl of ghee with a little wick alight. He explained that this wick has been burning for 130 years, without the wick being consummated, only the ghee/oil keeps being added, but the wick it seems is eternal. It makes you wonder whether this is true or not and adds that distinctive spice to Indian myths or magic. In the end, the truth can only be determined by going within, trusting only our Higher Self, that eternal wick, and seeing God in All People and All Things. This Sufi-type religion is what I call: ANAHAT GURU which means my Heart is my Teacher.
Thanks for sharing this India Experience with me.
Regards JAIN
20-1-06
6 –
JAIN’S DISCOVERY OF THE REPEATING 24 PATTERN,
Taken from www.goldennumber.net
[This is a wonderful website, one of my favourites, and it was quite a surprise to see my name acknowledged on this site. Just remember that ultimately we need to ask ourself, what shape encodes this qualtiy of 24, what shape has 24 faces and 24 edges. There is only one shape that does this, and it is the atomic structure of Silicon Chip which is a Star Tetrahedron, or two interpenetrating or interdigitating Tetrahedrons, that forms the basis of many crystals. When you join the 8 vertices of this shape, you get the Cube. Basically, Shape stores Memory . Due to this profound mathematical discovery, there is now established a mathematical and spiritual connection between Technology and Consciousness, between Sacred Geometry and InterDimensional Time Travel. This Number 24, this StarGate, this clock of 24 Hours, is what Einstein called the Fourth Dimension: Time.]
Jain. 28-1-2006.
[There is more revelations on the number 24, to come onto this website, basically, what you have been told for thousands of years is that there is no symmetry or pattern in the Sequence of Prime Numbers, that it is a nonsense sequence. Well you have been deluded. The Egyptians knew the secret to the hidden pattern of Prime Numbers. Imagine if you wrote the numbers from 1 to 24 in a circle, going clockwise, and the next 24 numbers concentrically around it, and you repeated these many rings of 24 consecutive numbers, have a guess where all the prime numbers would lie? You guessed it, on 4 distinct diagonals or diameters that form the 4th Dimensional Templar Cross. Its quite amazing, and if you stay in tune with this website, I will have all the diagrams posted for you.]
Jain.
The information below has been directly copied from www.goldennumber.net then click on “Mathematics” as one of the sections on the left hand side, then click on “The Repeating 24 Pattern”.
The repeating pattern in the Fibonacci Series
The Fibonacci series has a pattern that repeats every 24 numbers
Numeric reduction is a technique used in analysis of numbers in which all the digits of a number are added together until only one digit remains. As an example, the numeric reduction of 256 is 4 because 2+5+6=13 and 1+3=4.
A mathematician by the name of Jain discovered that applying numeric reduction to the Fibonacci series produces an infinite series of 24 repeating digits:
1, 1, 2, 3, 5, 8, 4, 3, 7, 1, 8, 9, 8, 8, 7, 6, 4, 1, 5, 6, 2, 8, 1, 9
If you take the first 12 digits and add them to the second twelve digits and apply numeric reduction to the result, you find that they all have a value of 9.
1st 12 numbers |
1 |
1 |
2 |
3 |
5 |
8 |
4 |
3 |
7 |
1 |
8 |
9 |
2nd 12 numbers |
8 |
8 |
7 |
6 |
4 |
1 |
5 |
6 |
2 |
8 |
1 |
9 |
Numeric reduction – Add rows 1 and 2 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
18 |
Final numeric reduction – Add digits of result |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
We would expect a pattern to exist in the Fibonacci series since each number in the series encodes the sum of the previous two. What’s not quite so obvious is why this pattern should repeat every 24 numbers or why the first and last half of the series should all add to 9.
For those of you from the “Show Me” state, this pattern of 24 digits is demonstrated in the numeric reduction of the first 73 numbers of the Fibonacci series, as shown below:
Fibonacci Number |
Numeric reduction by adding digits |
1st Level |
2nd Level |
Final Level |
Example: 2,584 |
2+5+8+4=19 |
1+9=10 |
1+0=1 |
|
|
|
|
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
3 |
3 |
3 |
5 |
5 |
5 |
5 |
8 |
8 |
8 |
8 |
13 |
4 |
4 |
4 |
21 |
3 |
3 |
3 |
34 |
7 |
7 |
7 |
55 |
10 |
1 |
1 |
89 |
17 |
8 |
8 |
144 |
9 |
9 |
9 |
233 |
8 |
8 |
8 |
377 |
17 |
8 |
8 |
610 |
7 |
7 |
7 |
987 |
24 |
6 |
6 |
1,597 |
22 |
4 |
4 |
2,584 |
19 |
10 |
1 |
4,181 |
14 |
5 |
5 |
6,765 |
24 |
6 |
6 |
10,946 |
20 |
2 |
2 |
17,711 |
17 |
8 |
8 |
28,657 |
28 |
10 |
1 |
46,368 |
27 |
9 |
9 |
75,025 |
19 |
10 |
1 |
121,393 |
19 |
10 |
1 |
196,418 |
29 |
11 |
2 |
317,811 |
21 |
3 |
3 |
514,229 |
23 |
5 |
5 |
832,040 |
17 |
8 |
8 |
1,346,269 |
31 |
4 |
4 |
2,178,309 |
30 |
3 |
3 |
3,524,578 |
34 |
7 |
7 |
5,702,887 |
37 |
10 |
1 |
9,227,465 |
35 |
8 |
8 |
14,930,352 |
27 |
9 |
9 |
24,157,817 |
35 |
8 |
8 |
39,088,169 |
44 |
8 |
8 |
63,245,986 |
43 |
7 |
7 |
102,334,155 |
24 |
6 |
6 |
165,580,141 |
31 |
4 |
4 |
267,914,296 |
46 |
10 |
1 |
433,494,437 |
41 |
5 |
5 |
701,408,733 |
33 |
6 |
6 |
1,134,903,170 |
29 |
11 |
2 |
1,836,311,903 |
35 |
8 |
8 |
2,971,215,073 |
37 |
10 |
1 |
4,807,526,976 |
54 |
9 |
9 |
7,778,742,049 |
55 |
10 |
1 |
12,586,269,025 |
46 |
10 |
1 |
20,365,011,074 |
29 |
11 |
2 |
32,951,280,099 |
48 |
12 |
3 |
53,316,291,173 |
41 |
5 |
5 |
86,267,571,272 |
53 |
8 |
8 |
139,583,862,445 |
58 |
13 |
4 |
225,851,433,717 |
48 |
12 |
3 |
365,435,296,162 |
52 |
7 |
7 |
591,286,729,879 |
73 |
10 |
1 |
956,722,026,041 |
44 |
8 |
8 |
1,548,008,755,920 |
54 |
9 |
9 |
2,504,730,781,961 |
53 |
8 |
8 |
4,052,739,537,881 |
62 |
8 |
8 |
6,557,470,319,842 |
61 |
7 |
7 |
10,610,209,857,723 |
51 |
6 |
6 |
17,167,680,177,565 |
67 |
13 |
4 |
27,777,890,035,288 |
73 |
10 |
1 |
44,945,570,212,853 |
59 |
14 |
5 |
72,723,460,248,141 |
51 |
6 |
6 |
117,669,030,460,994 |
65 |
11 |
2 |
190,392,490,709,135 |
62 |
8 |
8 |
308,061,521,170,129 |
46 |
10 |
1 |
498,454,011,879,264 |
72 |
9 |
9 |
Thanks to Helga Hertsig for being the first to bring Jain’s discovery of this patternDto my attention.
|
|
7 –
the Second and Unrevealed
“108 CODE”
by Jain of Mullumbimby, OZ
DID YOU KNOW THAT THIS 24 REPEATING PATTERN IS ONLY ONE OF TWO CODES.
THIS ONE ABOVE, WE WILL CALL IT A LINEAR REPRESENTION OF THE 108 PHI CODE (ABBREVIATED TO PC1) (since it is merely the digital compression of the linear fibonacci sequence)
BUT THERE EXISTS ANOTHER MULTI-DIMENSIONAL PHI CODE 2 THAT ALSO HAS IT DIGITAL SUMS ADDING UP TO THIS MYSTICAL NUMBER OF SHRI 108.
I HAVE 3 MORE BOOKS WRITTEN JUST ON THIS SUBJECT, BUT I NEED ANOTHER YEAR JUST TO POLISH UP THE BOOKS AND RELEASE THEM WITH A COMPANION DVD FOR A FULLER EXPLANATION.
I WILL CALL THIS SECOND 108 CODE AS PC2 OR THE MULTI-DIMENSIONAL 108 CODE. IT CAN ONLY BE REVEALED TO STUDENTS WHO HAVE COMPLETED A CERTIFIED 12 DAY SEMINAR ON JAIN MATHEMAGICS.
IT IS TRULY A REVOLUTIONARY DISCOVERY, THE CULMINATION OF MY LIFESWORK BASED ON JAIN’S 17TH SUTRA OF “THE ABILITY TO TRANSLATE NUMBER INTO ART” AND FOR THIS REASON IT CAN NOT BE REVEALED CASUALLY. THERE IS ENOUGH EXCITING INFORMATION ABOVE TO SATISFY THE QUESTING AND EAGER MATHEMATICIAN.
SO FOR NOW, JUST UNDERSTAND THAT THE ABOVE LINEAR PC1 OR REPEATING 24 PATTERN THAT HAS A SUM OF 108 IS ONLY HALF OF THE ESSENTIAL DATA. THERE IS MORE TO COME, AND WE NEED AT THIS POINT TO GIVE IT A NAME: the 108 CODE.
IT IS IN THE MASS CONSCIOUSNESS, THE NOW FAMOUS TITLE OF “the da Vinci Code” WHICH INDEED REFERRED TO THE FIBONACCI SEQUENCE, THOUGH THE MOVIE HAS FAILED TO CONTINUE WITH THIS THEME, SO IT IS TIMELY AT THIS POINT TO BRING TO THE WORLD’S CONSCIOUSNESS THE DEEPING MEANING OF THE LIVING MATHEMATICS OF NATURE, WHICH IS IMBUED IN THE ABOVE TITLE: “the 108 Code“.
YOU CAN LEARN A LOT ABOUT PC1 IN MY FIRST TWO GREEN BOOKS ON THE “The Book Of Phi” Volumes 1 and 2, AND ARE AVAILABLE ON THIS WEBSITE:
http://www.jainmathemagics.com/product/9/default.asp
AND
http://www.jainmathemagics.com/product/11/default.asp
GET READY FOR THE NEXT THREE EXCITING BOOKS:
“The Book Of Phi” Volumes 3 and 4 and 5
where “The Book Of Phi” Volume 3 refers to more amazing info on the Phi Ratio not previously discussed, like important articles that I have written and submitted to magazines etc, (available only through pre-paid orders)
This book will be available in September 2009.
where “The Book Of Phi” Volume 4 is a complete book just on references to the Phi Code 1, (aka PC1) the linear version of 24 repeating digits of the Fibonacci Sequence that is the 108 Code, (available only through pre-paid orders)
where “The Book Of Phi” Volume 5 is the more important multi-dimensional 108 Code and not available casually, you must attend a 12 day seminar on Jain Mathemagics to recieve this Mathematical Initiation.
KEEP IN TOUCH FOR MORE UPDATES,
REGARDS JAIN 108